15 Art Shows to See in New York September 2023



The artwork world is formally again from its summer time break, and it’s that point of yr when there are such a lot of good reveals opening in New York that it’s inconceivable to catch all of them. However we attempt, don’t we? Take pleasure in this month’s excellent picks and for extra suggestions, try our Fall 2023 New York Art Guide, which focuses on massive museum reveals throughout the town.

Papo Colo, “Rumble” (2022), earth and paint on canvas, 69 x 106 inches (picture courtesy Caledrón Gallery)

Papo Colo

Papo Colo’s work, all created within the El Yunque rainforest in Puerto Rico, seem to vibrate, murmur, and hum as if animated from inside. This inherent turbulence stems from the artist’s distinctive working technique: Colo stretches his canvas over stones organized on the bottom earlier than making use of pigments and earth utilizing his fingers in addition to tree vines in a dynamic, performative symphony. An omnipresent determine in New York’s various artwork scene of the Eighties, Colo bridges two worlds, a bifurcated expertise mirrored in his works: “My work will not be summary or figurative,” he says, “they’re hybrid, like myself.” —Valentina Di Liscia

Calderón (calderon-ny.com)
7 Lispenard Avenue, Tribeca, Manhattan
By way of September 30

Set up view of Math Bass, Roses are Crimson; foreground: “Full physique parentheses” (2023), painted MDF and wooden, 95 3/4 x 46 3/4 x 30 3/4 inches every; background: “Fragrance Map” (2023), oil on linen, 52 x 42 inches (photograph by Pierre Le Hors, courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles)

Math Bass: Roses Are Crimson

Math Bass’s work exist on the fringe of which means. By way of the years, the artist has developed a visible language of types and symbols which might be dimly acquainted however by no means decipherable, drawing us into an irresistible rigidity. In new works exhibited at Tanya Bonakdar, rendered in oil on linen fairly than gouache on canvas, Bass embraces the fluidity, expressiveness, and private mark-making that the extra temporal medium permits for. Romantic motifs — flowers, clouds — dominate the compositions, but these are removed from cloying. See the present for your self to unlock the deeper message inside: Bass’s poignant reflection on queer and trans id. —VD

Tanya Bonakdar Gallery (tanyabonakdargallery.com)
521 West twenty first Avenue, Chelsea, Manhattan
By way of October 14

Nico Williams, “Out and about, once more…” (2023), 11/0 glass beads and pockets, dimensions variable (photograph by Jason Mandella, picture courtesy the artist and James Fuentes)

Younger Elder

A bunch present of up to date Native and Indigenous artists isn’t one thing you see each day in New York Metropolis. That’s a bitter fact, sweetened for just some weeks by this present, curated by Natalie Ball (Klamath/Modoc) and Zach Feuer. The six featured artists are Andrea Carlson (Grand Portage Ojibwe), Sonya Kelliher-Combs (Alaska Native), Tyrrell Tapaha (Diné), and Nico Williams (Aamjiwnaang First Nation). They’ve obtained some witty, irreverent, and difficult work so that you can see. And why aren’t there extra reveals by Native artists on this metropolis? —Hakim Bishara

James Fuentes (jamesfuentes.com)
55 Delancey Avenue, Decrease East Aspect, Manhattan
By way of October 14

Jane South, “Gadding” (2023), acrylic, canvas, thread, batting, and blended media, 97 x 108 inches (picture courtesy Spencer Brownstone Gallery)

Jane South: Midway Off

Once I take a look at Jane South’s detail-rich canvases, I see the hulking suspension bridges of New York Metropolis, the place she’s based mostly, and the grey skies of Manchester within the UK, from which she hails. I see the fencing of a small backyard between two buildings, a railroad fork, the Union Jack, a wheel of fortune, a puppet theater, the coughing specter of the Industrial Revolution, and a mom’s tender embrace. Nonetheless, you don’t have to see any of that to like the work. —HB

Spencer Brownstone Gallery (spencerbrownstonegallery.com)
170-A Suffolk Avenue, Decrease East Aspect, Manhattan
By way of October 21

Set up view of Michael Rakowitz, The Monument, The Monster and The Maquette; left: “American Golem (2022); proper: “Behemoth” (2022) (photograph by Arturo Sanchez, picture courtesy the artist and Jane Lombard Gallery)

Michael Rakowitz: The Monument, The Monster and The Maquette

I used to be Michael Rakowitz’s pencil drawings of troublesome public monuments and studying notes from his analysis about them, fully unaware of a monster that was rising behind me. It was “Behemoth” (2022), an inflatable sculpture of a shrouded monument that jogged my memory of the 2016 protest against the now-removed equestrian statue of Theodore Roosevelt in entrance of New York’s American Museum of Pure Historical past. Rakowitz’s sculpture rises to the peak of 11 ft earlier than it deflates and collapses on the ground. That’s certainly the story: Some racist statues went down, however many extra are nonetheless standing. —HB

Jane Lombard Gallery (janelombardgallery.com)
58 White Avenue, Tribeca, Manhattan
By way of October 21

Daveed Baptiste, “Sin Don’t Stay Right here” (2017) (picture courtesy of the artist)

Relaxation Is Energy

“Relaxation” and “self-care” have lately been warped and distorted past recognition (thanks, productiveness tradition), making this exhibition organized by the Black Relaxation Venture all of the extra resonant. In Tyler Mitchell’s luminous “Riverside Scene” (2021), Black households and pals lounge on a grassy Georgia riverbank dotted with yellow flowers, signaling a freedom from the area’s violent historical past. Co-curator Deborah Willis is featured, as properly, by way of her tender {photograph} of a lady resting her head throughout a hair wash in “Ms. Brown’s Magnificence Store, Philadelphia (shampoo)” (1999). Different artists together with Carrie Mae Weems, Gordon Parks, Laylah Amatullah Barrayn, and Chris Friday contribute their very own works to a collective visualization of relaxation throughout the Black diaspora, taking inspiration from Nap Ministry founder Tricia Hersey’s guideline, “relaxation is resistance.” —Lakshmi Rivera Amin

Heart for Black Visible Tradition at New York College (cbvc.nyu.edu)
The 20 Cooper Sq. Gallery, Noho, Manhattan
By way of October 22

Courtney M. Leonard, “BREACH: Logbook 23 | ALLUVION” (2023), ceramics, oyster shells, pallets, paint, and video (photograph Hrag Vartanian/Hyperallergic)

Courtney M. Leonard: Logbook 2004–2023

This small survey of Shinnecock artist Courtney M. Leonard deserves to be bigger, however curator Karli Wurzelbacher has achieved a stable job of packing in lots of energy on this two-room present (one devoted fully to a particular new fee). It’s incredible to see an artwork establishment toasting an area expertise, nevertheless it’s even higher to get an opportunity to see Leonard’s early ceramic works, later scrimshaw-influenced objects (together with the haunting “BREACH: Logbook 23|BREACH #2” from this yr), and different work in addition to a bigger work from the artist’s CONTACT sequence, which was additionally commissioned by the museum. Whereas Leonard could also be finest recognized for her ceramic items, which all the time look mysterious and in dialogue with the historical past of object making, this present permits you to see how expansive her creativeness can very a lot be. —Hrag Vartanian

Heckscher Museum of Artwork (heckscher.org)
2 Prime Avenue, Huntington, New York
By way of November 12

O. Louis Guglielmi, “One Third of a Nation” (1939), oil and tempera on wooden, 30 x 24 inches (picture through The Metropolitan Museum of Art)

Artwork for the Thousands and thousands: American Tradition and Politics within the Thirties

You could be acquainted with the Works Progress Administration (WPA), this system carried out by President Roosevelt in 1935 that supported many unemployed artists through the Nice Melancholy. The Federal Artwork Venture’s lemma of “artwork for the thousands and thousands” impressed the title of this exhibition, which appears to be like on the methods wherein creators of the last decade made sense of a chaotic world following the 1929 inventory market crash. Whereas the present options among the typical suspects — Philip Guston and Alice Neel, as an illustration — it additionally illuminates the contributions of artists who didn’t grow to be family names, just like the Egypt-born, New York-raised O. Louis Guglielmi, a WPA muralist whose work “One Third of a Nation” (1939) conveys the devastating results of poverty and housing insecurity. Removed from entrenching the ’30s firmly up to now, the curators push again towards extreme historization, contextualizing the interval as “a touchstone of kinds for our personal age” — its echo resonating too loudly, maybe, almost 100 years later. —VD

The Metropolitan Museum of Artwork (metmuseum.org)
1000 Fifth Avenue, Higher East Aspect, Manhattan
By way of December 10

Michael McWeeney, “Crimson Hat” (photograph courtesy the artist)

Staten Island Mode: Identification, Reminiscence, Style

This archival exhibition of Staten Island trend historical past explores the hyperlinks between native gown, reminiscence, and id. Led by trend historical past students Jenna Rossi-Camus and Alexis Romano, who each grew up within the borough, Staten Island Mode is the results of a analysis challenge chronicling the “self-fashioning” of a seaside neighborhood’s previous and current residents. The present options installations of clothes and pictures throughout 4 rooms, together with a number of public occasions. —Maya Pontone

Newhouse Heart for Modern Artwork at Cosy Harbor Cultural Heart & Botanical Backyard (snug-harbor.org)
1000 Richmond Terrace, Constructing C, Randall Manor, Staten Island
By way of December 31

Ruth Asawa, “Untitled” (1961), ink on coated paper on board, 23 x 35 inches (art work © 2023 Ruth Asawa Lanier, Inc./Artists Rights Society (ARS), New York; picture courtesy David Zwirner)

Ruth Asawa By way of Line

Ruth Asawa is well known for her intricately woven sculptures constructed of concentric mesh types, whose webs and networks recall patterns discovered within the natural world. The Japanese-American artist, educator, and activist’s past love, nevertheless, was drawing, a apply she continued to develop all through her lifetime. This present options over 100 works on paper together with sketches, watercolors, collages, prints, and extra relationship from the Nineteen Forties to her late interval, testifying to her experimentation with strategies and mediums as diversified as stamps and calligraphy. The items on show, a lot of them not often exhibited, hint Asawa’s obsession with line, rhythm, and type to the uncooked, easy pleasure of mark-making. —VD

Whitney Museum of American Artwork (whitney.org)
99 Gansevoort Avenue, Meatpacking District, Manhattan
By way of January 15, 2024

Art Fairs to See This Month:

Extra Suggestions From Our Fall 2023 New York Art Guide:


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