A Color and Detail Powerhouse

Medium-format cameras embody fairly highly effective imaging capabilities, however the our bodies are typically beast-like each in measurement and efficiency. Fujifilm, nevertheless, is making an attempt to make the bigger sensors extra manageable when it comes to measurement and efficiency. The Fujifilm GFX100 II—pronounced “the second,” not Mark II, based on Fujifilm—narrows the hole by enhancing the autofocus whereas sustaining the picture high quality anticipated from the bigger sensors.

Whereas the II within the title suggests a marginal replace, the Fujifilm GFX100 Ii is something however minimal. The physique is fully completely different, not that includes a battery grip inbuilt. The autofocus sees an improve, however so does the processor, stabilization, and even the perimeters of the 102-megapixel sensor are tweaked. Even the worth drops, although buying the now separate battery grip makes up for many of that pricing distinction.

Simply how spectacular is the Fujifilm GFX100 II? Is the digicam value a $7.5K funding?

The Huge Image

Feast your eyeballs on 102 megapixels of colourful medium format goodness—no less than, that’s how I believed I ought to introduce the unedited JPEGs captured on the Fujifilm GFX100 II. I’ve by no means seen a set of photographs look so good straight from the digicam with out modifying. Get the publicity and white steadiness proper within the digicam, and the big sensor and Fujifilm colour science will do the remaining. The pictures from the Fujifilm GFX100 II lived as much as my exceptions with glorious element, low noise, and after I didn’t get it proper in digicam, plenty of dynamic vary flexibility in publish. The brand new movie simulation, Reala Ace, is sure to be a Fujifilm fan favourite. Whereas I’m an enormous fan of Fujifilm’s retro-styled prime dials, I believed the ergonomics on the GFX100 II have been no less than considerably higher than the XH2 collection.

However, whereas I first picked up the GFX100 II with massive imaging expectations, I had low expectations for the autofocus efficiency. And in some instances, these expectations have been lifeless on. The animal eye AF appreciated the nostril on my dark-colored canine, struggled on dark-colored topics, and on somebody operating in the direction of the digicam, I used to be fortunate if I bought one shot in focus. However autofocus has lengthy been a weak spot of medium format mirrorless and I did see a number of massive developments. The GFX100 II’s autofocus really did fairly properly on a darkish dance ground and had a excessive sufficient hit price for some way of life and occasion photographs.

Is the Fujifilm GFX100 II prepared for quick motion? No, however the dreamy photographs imply this beast is a worthwhile funding for high-end portraits, industrial work, or something shifting slower than a run. I’m giving the Fujifilm GFX100 II 4 out of 5 stars.

Execs

• Mild-up prime dial
• A number of methods to arrange customized controls, together with quick topic detection swaps and a entrance dial that may management three completely different settings
• Lighter than the earlier one as a result of it not has the built-in battery grip
• Low noise but excessive megapixel rely
• Stunning colours
• Reala Ace is spectacular
• The value dropped from the primary era’s authentic checklist value
• Autofocus efficiency didn’t drop considerably in low-light
• Eight stops of stabilization

Cons

• Medium format is a giant funding
• Autofocus can’t sustain with something sooner than a stroll

Gear Used

I used the Fujifilm GFX 100 II with the Fujifilm GF 55mm f1.7 R WR lens. Each the digicam and lens are a short-term assessment mortgage from Fujifilm. 

Improvements

Regardless of the II within the title, the Fujifilm GFX100 II sees many modifications over its predecessor. The sensor, processor, autofocus, stabilization, and even the ergonomics all see an replace — which you’ll examine right here. However, the most important factor that units the Fujifilm GFX100 II aside is that it makes medium format much less of a one-trick pony and introduces the potential of utilizing the system for way of life, journalism, and different shifting topics. No, it’s not as quick as most of the full-frame cameras, but it surely will increase the efficiency sufficient that I can see this digicam creeping into extra genres. The opposite most fun modifications are a cheaper price level than the primary era and a model new movie simulation referred to as Reala Ace.

Ergonomics

As a medium format digicam, the Fujifilm GFX100 II isn’t any light-weight. The digicam weighs practically 2.3 kilos with the viewfinder, battery, and card. Fortunately, the digicam makes use of a big grip to assist help that weight. Whereas the digicam was noticeably heavier than my standard gear, it’s considerably lighter than the primary era. That’s as a result of the second doesn’t have the built-in grip like the primary — it’s an elective accent and saves a little bit of weight.

Whereas I’m an enormous fan of Fujifilm’s retro-styled prime dials, I believed the ergonomics on the GFX100 II have been no less than considerably higher than the XH2 collection.

The form of the GFX100 II strikes me as a bit odd, however that’s as a result of the highest of the digicam tilts in the direction of the again. The slant helps cut back glare on the LCD on the prime, which shows important taking pictures particulars like publicity settings and remaining battery life. A small button close to the display screen activates a backlight so the display screen can simply be learn at midnight. One other button switches the LCD show to a digital model of the retro shutter velocity and ISO dials or a histogram. The display screen model of the retro dials isn’t practically as good as the true, bodily dials, however I like that each choices are there.

Close to the shutter launch are three customized buttons. By default, the primary two are set to the topic detection, so it’s straightforward to change between individuals and animals. This was one in every of our complaints in regards to the XH2, so it’s actually nice to see a straightforward approach to change the topic detection modes.

The viewfinder is modular. Photographers might slip the included viewfinder on and go away it connected long-term—there’s nonetheless a scorching shoe slot. Or, there’s an improve possibility for a tilting viewfinder. On the other facet of the viewfinder from the LCD display screen, there’s a easy mode dial and a video-stills change.

The again homes a touchscreen that tilts utilizing a hinge system. No, it doesn’t flip ahead for medium-format selfies, but it surely permits photographers to shoot over their heads or from the waist. The digicam doesn’t have the same old financial institution of arrows to navigate the menu with, however the autofocus joystick appeared straightforward sufficient to make use of as an alternative. The again additionally homes buttons for drive, playback, again button focus, auto publicity lock, and a fast menu.

The GFX100 II has two management dials. The rear dial controls shutter velocity by default, however the entrance dial controls three completely different settings, all with out going into the menu. Urgent the entrance dial in as soon as flips via the completely different settings that may be managed. An extended press pulls up the customized settings menu, the place you may change the settings managed by the entrance dial. I set the choices to ISO first, since heading into the fast menu to regulate ISO is annoying and I used a lens with an aperture ring. I actually appreciated this resolution to the lacking ISO prime dial, as I discover cameras with out fast entry to ISO inherently annoying.

Two extra customizable buttons sit on the entrance between the grip and the lens mount. Reverse the grip facet of the digicam is the financial institution of controls, which features a wired LAN, headphones, HDMI, and USB-C, with a flash sync port on the entrance of the digicam.

Whereas I’ll perpetually be a fan of Fujifilm’s retro prime dials, the ergonomics on the GFX100 II slide in as my second favourite. The bigger physique leaves room for extra controls than the XH2, and the triple-function entrance dial is kind of intelligent. 

Construct High quality

The Fujifilm GFX100 II has a sturdy really feel, partly because of the weight. The highest plates don’t have the identical metallic really feel as cameras just like the XT4, although with the digicam already weighing greater than two kilos, I’m unsure extra metallic could be a great factor. Regardless, it feels sturdy.

The digicam is weather-sealed. I gave the digicam and lens a great splash with no ailing results. I additionally didn’t discover any noticeable mud on the sensor or contained in the lens in the course of the course of my assessment.

My first expertise with the digicam wasn’t fully bug-free, nevertheless. Twice, most of the controls have been grayed out and locked into P mode, and the pictures had the white steadiness pushed all the way in which to inexperienced and all the way in which to blue. Turning the digicam off and again on appeared to resolve the problem, however I wasn’t in a position to get the digicam to repeat the error after my preliminary pictures.

Autofocus

Primarily based on every thing that I’ve heard about medium format, I had low expectations for autofocus efficiency going into the GFX100 II. The bigger sensors can’t fairly seize information as quick, they usually aren’t precisely often called sports activities cameras. Properly, I’m going to should proceed to deceive myself to protect my gear price range as a result of the autofocus on the GFX100 II is midway first rate. No, it’s not even near the identical degree as cameras just like the Canon EOS R3. However I used to be stunned at how properly it managed to maintain up on a darkish dance ground and with energetic topics in way of life portraits.

The GFX100 II is ready to sustain with portraits of squirmy children making an attempt to remain nonetheless, but it surely has extra misses than hits if these children are operating towards the digicam. In round 200 pictures of semi-still children, solely 18 % have been out of focus. As soon as I switched from jokes to make them smile to video games, nevertheless, the variety of keepers dropped drastically, with some bursts of operating in the direction of the digicam all out of focus and a few getting a small handful of sharp pictures. That is primarily based on the autofocus efficiency degree set to regular, the aperture set to f2.5, and the publicity preview on contained in the viewfinder. The GFX100 II will do okay with way of life portraits at a strolling tempo however not at a operating velocity.

I took the XT4, the XH2, and the GFX 100 II onto the identical darkish dance ground, and I didn’t have a dramatic drop within the variety of sharp pictures after I bought to culling the GFX100 II pictures. When you begin taking pictures, the autofocus is definitely akin to a few of Fujifilm’s greatest X collection cameras, although nonetheless considerably behind a number of the prime performers from Canon and Sony. Whereas I didn’t see a leap in gentle pictures, I did discover that the GFX100 II took just a little longer to seek out the topic initially, the place I might have shot just a little sooner with my XT4.

No, it’s not even near the identical degree as cameras just like the Canon EOS R3.

Eye detection on the GFX100 II can also be first rate, however the massive wrestle is selecting which face to give attention to in teams — a problem that persists throughout the Fujifilm household. On that very same darkish dance ground, even after I used the joystick immediately over one other particular person’s face, the digicam usually stubbornly stayed on the unique face that it discovered. Normally, it favors faces in the direction of the middle of the body. The controls don’t actually have a great way to inform the digicam to search for a special face.

The Fujifilm GFX100 II features extra recognizable topics as properly. Animal Eye AF labored okay, however the digicam often sought out my canine’s nostril as an alternative of the eyes. I did, nevertheless, actually love that there are bodily buttons to shortly change from human to animal eye AF.

Whereas I didn’t see a leap in gentle pictures, I did discover that the GFX100 II took just a little longer to seek out the topic initially, the place I might have shot just a little sooner with my XT4.

The state of affairs the place the digicam had probably the most problem is in backlighting. That is very true for dark-colored topics. The digicam had a a lot more durable time discovering my brown canine’s brown eyes when the solar was behind him, and his face was in shadows. The digicam goes to focus significantly better if the topic has some catchlights, which will probably be a problem when creating catchlights with flash as an alternative of pure mild. Many cameras wrestle with darkish colours within the shadow, and the GFX100 II isn’t an exception.

The GFX100 II carried out a bit higher than my expectations, as medium format tends to lag behind in efficiency. I wouldn’t hesitate to select it up for portraits and even some way of life portraits and occasions. However whereas the autofocus is far improved, it’s not but on the correct caliber to seize operating towards the digicam or the quickest twirls on the dance ground.

Ease of Use

The Fujifilm GFX100 II was my first medium format expertise — although I’ve shot with X-mount cameras for a number of years now. At first, I discovered the controls just a little annoying, however as soon as I custom-made the buttons and dials, I loved the expertise. The power to set the entrance management dial to 3 completely different settings — together with ISO — and devoted buttons to swap between human and animal eye AF elevate the GFX100 II above cameras just like the XH2. However, it’s not apparent that the management ring is multi-function except you learn the guide or discover the customized settings menu. There’s a studying curve right here for certain, however loads of customizable bodily controls tailor the digicam to your type.

My expertise with Fujifilm’s X collection helped me shortly be taught the completely different controls and shortly navigate the menu. There are loads of similarities between the 2 collection, significantly within the menu set-up. However bodily controls like the only to steady autofocus change are additionally acquainted. 

The brand new movie simulation, Reala Ace, is sure to be a Fujifilm fan favourite.

Whereas the GFX100 II’s display screen is touch-enabled, that function isn’t accessible inside the menu. As an alternative, the menu is navigated with the joystick. That is high-quality for probably the most half, however often, I meant to press the joystick in and as an alternative nudged it to the facet. The extra conventional menu buttons are extra forgiving for sloppy fingers. I’d nonetheless favor to have each, but when it comes down to picking an autofocus joystick or menu arrows, I’m selecting the joystick one hundred pc.

The stabilization system additionally sees a lift from the primary era, bumping as much as 8 stops from 5.5. That’s a pleasant function just because medium format programs are heavy, and the heavier the digicam is, the extra seemingly shake is to play a job. I used to be in a position to take sharp photographs at 1/25 and even 1/10, however to persistently get sharp pictures with out holding my breath and bracing my elbows, I wanted to push the shutter velocity up larger.

An up to date processor brings the GFX100’s velocity to eight fps, a leap up from 5 fps. Whereas I do know most our bodies as of late are in double digits, 8 fps appeared like a candy spot between nailing the timing — and having manner too many 102-megapixel recordsdata to add and cull. The GFX100 II isn’t a sports activities digicam, and the velocity appears greater than adequate for the genres that sometimes entice medium format.

Metering

Following the Sunny 16 rule, metering was proper the place it wanted to be. I didn’t have any points with the meter being deceptive.

Picture high quality

The Fujifilm GFX100 II encases the corporate’s greatest imaging expertise — and it exhibits. The 102-megapixel medium format sensor delivers distinctive sharpness whereas gathering extra mild and smoothing that bokeh. The bigger sensor implies that noise isn’t overbearing. Paired with the GF 55mm f1.7, the digicam captured good easy backgrounds. However, like Fujifilm X cameras, my favourite a part of the GFX100 II is the colours, together with the brand new Reala Ace movie simulation.

Reala Ace

The gentle colours make Astia my favourite Fujifilm colour profile. Or, I ought to say, made — as a result of the Reala Ace profile is shortly changing into my new favourite. Reala Ace really seems similar to Astia in some situations. In an indoor picture of a colour card, I actually needed to search out the variations. However that shortly modifications when taking pictures outside.

The greens are a bit much less saturated with Reala Ace — and that’s an amazing factor. The grass of peek summer time feels overwhelming to me, and Reala helps tone that down a bit. I didn’t really feel the necessity to contact that magenta-to-green white steadiness slider as usually.

However my favourite a part of Reala is how the profile renders pores and skin tones. The reds are a bit much less saturated as properly, making the pores and skin really feel extra evenly toned even with the pores and skin softening function off. Caucasian pores and skin additionally felt just a little brighter with out reaching ghost territory. Pushing the white steadiness for heat tones didn’t add an excessive amount of orange saturation like it could often in Astia.

The shadows on Reala additionally really feel a bit extra pronounced and film-like. Reala has mild hints of film-like colours and distinction with out trying like an overdone Instagram filter.

Excessive ISO Photographs

Three-digit megapixels are too many for a full-frame sensor if you wish to blow up massive prints taken in low mild. However, unfold these pixels throughout a medium format sensor, and noise is never a problem. I shot a darkish dance ground at ISO 12800, and certain, considered at one hundred pc, there’s some noise. However the noise isn’t at a degree that drastically reduces sharpness. On the RAW recordsdata, there’s a little bit of colour noise this excessive, however the type that’s simply edited out. On the JPEGs, the in-camera processing robotically took care of the colour noise, although that leaves the JPEGs noticeably much less sharp than the RAW recordsdata.

I used that very same ISO 12800 dance ground picture in a print check. Printed as a 13 by 19, I couldn’t decide up the noise that I might see on the display screen. Prints at a low ISO have extra sharpness to the high-quality particulars, however ISO 12,800 is greater than usable.

RAW File Versatility

The dynamic vary on the GFX100 II is sufficient to recuperate a number of the troublesome shadows created by taking pictures in full solar.

I took this picture, additionally shot at ISO 12,800, and introduced up the publicity by two stops. The noise is a little more pronounced, however I didn’t see any of the indicators that advised I pushed the edit too far.

Dynamic vary isn’t going to interchange a flash in recovering particulars out an overblown sky, however there’s loads of flexibility for recovering even practically black shadows. I deliberately underexposed the picture above by about 4 stops. Then, in Seize One, I pulled up the publicity by 4 stops. Amazingly, there isn’t any modifying weirdness occurring from adjusting the publicity in publish that far.

Further Picture Samples

From day one, the Phoblographer has been big on transparency with our viewers. Nothing from this assessment is sponsored. Additional, plenty of people will publish critiques and present plenty of modifying within the photographs. The issue then turns into that anybody and everybody can do the identical factor. You’re not displaying what the lens can do. So we’ve got an entire part in our Further Picture Samples space to point out off edited and unedited photographs. From this, you may make a call for your self.

UnEdited

edited

Who can purchase it?

If in case you have round $8k burning a gap in your checking account, need extremely detailed photographs with film-like colours, and don’t {photograph} fast-moving topics, purchase the Fujifilm GFX100 II. The medium format digicam captures beautiful colours, sharpness, and bokeh inside a sturdy physique with loads of bodily controls.

If you wish to {photograph} one thing at a operating tempo, then the GFX100 II isn’t the easiest way to spend practically $8K — sports-oriented cameras just like the Canon R3 could be the higher selection for freezing quick movement.

Tech Specs

LensRentals lists the next tech specs for the Fujifilm GFX100 II:

• Model: Fuji
• Digital camera Kind: Mirrorless
• Compatibility: Fuji G
• Environmental
  • Working Temperature: 14 to 104°F / -10 to 40°Ce
  • Working Humidity: 10 to 80% (Non-Condensing)
• Publicity Management
• Shutter Kind: Digital Shutter, Mechanical Focal Aircraft Shutter
• Shutter Pace – Mechanical: 1/4000 to 60 Minutes in Handbook Mode; 1/4000 to 30 Seconds in Program Mode; 1/4000 to 30 Seconds in Aperture Precedence Mode; As much as 60 Minutes in Bulb Mode
• Shutter Pace – Digital: 1/32000 to 60 Minutes in Handbook Mode; 1/32000 to 30 Seconds in Program Mode; 1/32000 to 30 Seconds in Aperture Precedence Mode; As much as 60 Minutes in Bulb Mode; Bulb/Time Mode
• ISO Sensitivity – Picture: 80 to 12,800 (Prolonged: 40 to 102,400)
• ISO Sensitivity – Video: 80 to 12,800 (Prolonged: 25,600)
• Metering Strategies: Common, Heart-Weighted Common, Multi, Spot, TTL 256-Zones
• Publicity Modes: Aperture Precedence, Handbook, Program, Shutter Precedence
• Publicity Compensation: -5 to +5 EV (1/3 EV Steps)
• White Stability: 2500 to 10,000K
• White-Stability Presets: Auto, Customized, Fluorescent, Shade, Underwater
• Steady Capturing – Mechanical Shutter: As much as 8 fps at 102 MP for as much as 76 Frames (RAW) / Limitless Frames (JPEG); As much as 5 fps at 102 MP for as much as 497 Frames (RAW) / Limitless Frames (JPEG); As much as 2 fps at 102 MP for Limitless Frames (RAW) / Limitless Frames (JPEG)
• Steady Capturing – Digital Shutter: As much as 5.3 fps at 102 MP for as much as 390 Frames (RAW) / Limitless Frames (JPEG)
• Interval Recording: Sure
• Self-Timer: 2/10-Second Delay
• Flash, Constructed-In Flash/Mild: None
• Most Sync Pace: 1/125 Second
• Devoted Flash System: TTL
• Exterior Flash Connection: Shoe Mount, PC Terminal
• Focus: Focus Kind
• Auto and Handbook Focus
• Focus Mode: Steady-Servo AF, Handbook Focus, Single-Servo AF
• Battery Kind: 1x NP-W235 Rechargeable Lithium-Ion (Approx. 540 Photographs)
• Shoe Mount: 1x Scorching Shoe
• Tripod Mounting Thread: 1x 1/4″-20 Feminine
• Dimensions (W x H x D) – Digital camera Solely: 6.0 × 4.6 × 3.9″ / 152.4 × 117.4 × 98.6mm
• Weight: 2.271 lb. / 1.030 kg (With Battery, Recording Media, Viewfinder); 2.1 lb. / 949 g (With Viewfinder)
• Imaging
  • Sensor Decision, Efficient: 102 Megapixel
  • Picture Sensor: 43.8 × 32.9mm (Medium Format) CMOS
  • Picture Stabilization: Sensor-Shift, 5-Axis
  • Constructed-In ND Filter: None
• Seize Kind: Stills & Video
• Interface
• Media/Reminiscence Card Slot: Slot 1: SD/SDHC/SDXC (UHS-II); Slot 2: CFexpress Kind B
• Video I/O: 1x HDMI (Unspecified Sign) Output
• Audio I/O: 1x 1/8″ / 3.5mm TRS Stereo Microphone Enter; 1x 1/8″ / 3.5mm TRS Stereo; Headphone Output
• Energy I/O: 1x USB-C Enter/Output
• Different I/O: 1x USB-C Information Enter/Output (Shared with Energy Enter); 1x RJ45
• Wi-fi: Wi-Fi 5 (802.11ac), Bluetooth 4.2
• Cellular App Suitable: Android & iOS. As of September, 2023: Examine with producer for probably the most up-to-date compatibility
• App Title: FUJIFILM XApp
• Performance: Entry Saved Recordsdata, Modify Settings, Firmware Replace, Distant Management, View Stay Feed
• GPS: By way of Linked Smartphone
• Merchandise Kind: Digital camera, Lens, and Accent
• Mfr. Mannequin Quantity: 600023590
• Monitor
• Show Measurement: 3.2”
• Decision: 2,360,000 Dot
• Show Kind: 3-Means Tilting Touchscreen LCD
• Secondary Show High: 2.09″ LCD Standing Show
• Mount: Fuji and Fuji GFX
• Sensor Measurement: Medium Format
• Nonetheless Picture Seize Side Ratios: 1:1, 3:2, 4:3, 5:4, 7:6, 16:9, 65:24
• Picture Sizes – 3:2
  • 11,648 × 7768
  • 8256 × 5504
  • 4000 × 2664
• Picture Sizes – 4:3
  • 11,648 × 8736
  • 8256 × 6192
  • 4000 × 3000
• Picture Sizes – 16:9
  • 11,648 × 6552
  • 8256 × 4640
  • 4000 × 2248
• Picture Sizes – 1:1
  • 8736 × 8736
  • 6192 × 6192
  • 2992 × 2992
• Picture Sizes – 65:24
  • 11,648 × 4304
  • 8256 × 3048
  • 4000 × 1480
• Picture Sizes – 5:4
  • 10,928 × 8736
  • 7744 × 6192
  • 3744 × 3000
• Picture Sizes – 7:6
  • 10,192 × 8736
  • 7232 × 6192
  • 3504 × 3000
• Picture File Codecs: JPEG, RAW, TIFF
• Bit Depth: 16-Bit
• Video Seize
  • Inner Recording Modes – H.264/H.265/MPEG-4 AVC/ProRes 422/ProRes 422 HQ/ProRes 422LT
  • 8192 × 4320 at 23.98/24.00 fps [50 to 720 Mb/s]
  • 7680 × 4320 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
  • 8192 × 2968 at 23.98/24.00 fps [50 to 720 Mb/s]
  • 5824 × 2476 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
  • 5440 × 2868 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
  • 4776 × 3184 at 23.98/24.00 fps [50 to 720 Mb/s]
  • 4776 × 2688 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
  • 4664 × 3380 at 23.98/24.00 fps [50 to 720 Mb/s]
  • 4096 × 2160 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
  • 3840 × 2160 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
  • 2048 × 1080 at 23.98/24.00/25/29.97/50/59.94/100/120 fps [50 to 720 Mb/s]
  • 1920 × 1080 at 23.98/24.00/25/29.97/50/59.94/100/120 fps [50 to 720 Mb/s]
• Exterior Recording Modes – 4:2:2 10-Bit by way of HDMI
  • 7680 × 4320 at 23.98/24.00/25/29.97 fps
  • 8192 × 4320 at 23.98/24.00 fps
  • 8192 × 2968 at 23.98/24.00 fps
  • 5824 × 2476 at 23.98/24.00/25/29.97 fps
  • 5440 × 2868 at 23.98/24.00/25/29.97 fps
  • 4776 × 2688 at 23.98/24.00/25/29.97 fps
  • 4664 × 3380 at 23.98/24.00 fps
  • 4096 × 2160 at 23.98/24.00/25/29.97/50/59.94 fps
  • 3840 × 2160 at 23.98/24.00/25/29.97/50/59.94 fps
  • 2048 × 1080 at 23.98/24.00/25/29.97/50/59.94/100/120 fps
• Exterior Recording Modes – RAW by way of HDMI
  • 7680 × 4320 at 23.98/24.00/25/29.97 fps
  • 8192 × 4320 at 23.98/24.00 fps
  • 3840 × 2160 at 23.98/24.00/25/29.97/50/59.94 fps
• Recording Sensor Crop: Crops by 1.42x When Recording at Max Decision
• Quick-/Gradual-Movement Assist: Gradual-Movement Solely
• Recording Restrict: As much as 60 Minutes in 4K
• Broadcast Output: NTSC/PAL
• IP Streaming: None
• Constructed-In Microphone Kind: Stereo
• Audio Recording: 24-Bit 48 kHz LPCM Audio
• Viewfinder
  • Kind: Constructed-In Digital (OLED)
  • Measurement: 0.64”
  • Decision: 9,440,000 Dot
  • Eye Level: 21mm
  • Protection: 100%
  • Magnification: Approx. 1x