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There are the brushstrokes of paint that Heidi Hahn paints, that looks as if maybe a lifetime to acheive. To get to those minimal and fading characters. The colours are wealthy and the shapes are assured, the type of dissolving right into a background and but everlasting within the abstraction. “I take a brush and attempt to discover a kind, these shapes, a pose that’s going to do one thing to the form of the canvas and throughout the canvas,” Hahn says, and you’ll see her physique work the paint throughout the canvas as she says this. Although they appear totally quiet and in a second of repose, Hahn’s characters appears to maneuver with you. They’ve motion and energy, and Marion Eisele writes within the press launch for Kink Odelisk, Hahn’s new solo present, “The assorted postures communicate of resistance, in the event that they haven’t already disappeared into abstraction. The depicted ladies bend their legs, fold their arms or decrease their faces.”
The fade is one thing that caught my eye on this new present at Kadel Willborn. The previous few instances I’ve checked out Hahn’s work, there was extra of a direct confrontation with the figures, and now they appear to be aged with time. However their poses are timeless, their energy lies in one thing extra concrete about our relation to time and authority. A phenomenal show. —Evan Pricco
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