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The Uncanny by Belgian-Congolese photographer Léonard Pongo is a visible interpretation of his experiences within the Democratic Republic of Congo. Following family and friends within the nation, Pongo grew to become immersed of their imaginative and prescient. He allow them to resolve what he ought to witness as he tried to know the place, reconnect together with his heritage and reconcile his preconceptions with realities.
In 2011, Pongo traveled to the Democratic Republic of Congo to {photograph} the nation’s basic election and its influence on society. He quickly grew to become conscious of his lack of ability to outline which tales mattered, and to faithfully report on the overwhelming expertise he went via. As his consciousness of this elevated, he got here to phrases with the boundaries of images to point out ‘the reality’ in addition to his personal limitations in accessing and analyzing the surroundings, bias, and stereotypes. The mission advanced into the images which kind his first ebook The Uncanny.
The black and white images within the ebook present an typically dream-like and summary journey via landscapes, home interiors, streets, dance halls and church buildings. Disorientating views and use of lengthy exposures give the impression of motion and figures disappearing out of the body. A scarcity of formal narrative lends a sense of instability and occasional menace. Portraits of each strangers and buddies present these conscious and accepting of Pongo’s presence—some disregarding the digital camera and others requesting its presence. Devoid of colour, evening and day are onerous to distinguish on this imaginative and prescient wherein the non secular, religious and the secular are intertwined with the uncanny. Somewhat than documenting a rustic, Pongo has tried to doc his private expertise of the nation, translating the colourful, overwhelming and ungraspable into photos.
The Uncanny is printed by GOST.
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