New York’s JTT Gallery to Shutter After 11 Years



The New York Metropolis gallery JTT will shut its doorways on August 11. Its present group exhibition Playscape, which facilities people’ navigation of artificially constructed environments, would be the gallery’s final.

JTT was based by Jasmin Tsou in 2012. Her early roster included Borna Sammak, Becky Kolsrud, and Diane Simpson, all of whom have remained with the gallery. Tsou moved from her first tiny area within the Decrease East Aspect to a bigger location on Chrystie Avenue close by in 2016. In 2022, she joined a wave of other dealers when she relocated to Tribeca. At present, JTT represents artists together with Anna-Sophie Berger, Elaine Cameron-Weir, James Yaya Hough, King Cobra (the pseudonym for Doreen Lynette Garner), Sam McKinniss, and Sable Elyse Smith.

JTT has mounted a complete of 83 exhibitions over the previous 11 years. The gallery exhibited the pop culture-inspired work of Jamian Juliano-Villani earlier than the artist went on to run her own East Village gallery. Within the 2015 present Crypod, Juliano-Villani’s monumental canvases engulfed JTT’s tiny first area as they probed the impossibility of science fiction from the acquainted aesthetic perspective of comedian books.

Jamian Juliano-Villani’s 2015 Crypod exhibition at JTT

In a 2017 present titled Young Lady, artist Bonnie Lucas melded monsters and girlhood with pink, ultra-feminine works that leaned closely into the grotesque. Lucas had created 16 of the present’s works practically 40 years earlier, within the Nineteen Eighties.

For her first solo present at JTT in 2019, strings that show the wind, sculptor Elaine Cameron-Weir rendered a mind-bending meditation on materiality, that includes components reminiscent of leather-based sculpted to appear like concrete, that remodeled seemingly recognizable objects into artworks that had been concurrently futuristic and harking back to historic torture gadgets.

This yr, JTT held its third solo present of works by King Cobra. Titled White Meat, the exhibition explored the notion of whiteness by evoking bodily horror. It constructed upon an exhibition final yr on the New Museum, the place King Cobra employed the identical repulsing, flesh-like sculptures to debate colonialist violence. For one more JTT exhibition in 2019, King Cobra explored the particular violence inflicted on girls.

Elaine Cameron-Weir’s strings that present the wind in 2019 (photograph by Isabel Asha Penzlien)

In 2021, JTT showcased its first solo exhibition of labor by James Yaya Hough. In that present, titled Invisible Lines, the previously incarcerated artist used paper ephemera from prisons to element the each day life of individuals residing inside the US carceral system. In an interview with Hyperallergic, Hough referenced the function that JTT and equally sized galleries play in solidifying the careers of its artists, together with himself.

“Every thing can’t be a celebrity gallery: Individuals want mid-level and small galleries, individuals have to assist these exhibitions and people artists,” the artist instructed Hyperallergic. “It’s an actual loss.”

Tsou didn’t specify why she was shuttering the area however promised to disclose future plans within the coming months, in keeping with a statement yesterday, August 3.

“It has at all times been our mission to exhibit visionary work and current exhibitions by which we consider with out compromise, and we’re so proud that this exceptional undertaking has lasted for over a decade,” Tsou mentioned. “We want to categorical our deepest appreciation to the entire artists who shared their visions with us and contributed to the gallery through the years. With out all of you, none of this is able to have been doable.”

Sable Elyse Smith’s Tithe at JTT in 2022 (photograph by Charles Benson)
Borna Sammak’s Jeff Chilly Beer at JTT’s first area on Suffolk Avenue in 2012
James Yaya Hough’s first solo exhibition at JTT, Invisible Life, in 2021 (photograph by Charles Benton)


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